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One click, and the film is already in the file. That is how an edit with the RAW Series G200 begins: the Gold 200-inspired rendering comes from a DCP camera profile built for the exact camera that took the photo, so the look lands before a single slider moves. What follows is about two minutes […]
Open any RAW file, click once, and the film is already there. That is the whole first step of editing with the RAW Series P800: the Portra 800 inspired rendering comes from a DCP camera profile made for the exact camera behind the photo, so the look arrives before you touch a slider. Two minutes […]
One RAW photo, one click on a camera profile, and about two minutes of finishing. This is what editing with the RAW Series P160 actually feels like: the Portra 160 inspired look is rendered through a DCP camera profile built for the exact camera that took the photo, so the film look is there before […]
One RAW photo, one click on a camera profile, and about two minutes of finishing. This is what editing with the RAW Series P400 actually feels like: the Portra 400 inspired look is rendered through a DCP camera profile built for the exact camera that took the photo, so the film look is there before […]
Here is a small experiment that changes how you think about editing. Open a RAW photo in Lightroom Classic, apply a film look built into a DCP camera profile, and watch the Basic panel. The image transforms. The sliders do not move. Every tone and color slider is still sitting at zero. So where did […]
The RAW Series installs like any other Lightroom package, with one important difference: it includes camera profiles, not just presets. Those profiles are DCP files, and DCP files are a Lightroom Classic feature. This guide covers the one click install, the manual method, the Cloud Edition, and what to do if something does not show […]
To get the Kodak Gold 200 film look in Lightroom, apply a Gold 200 inspired preset for the character, then dial the matching profile’s Amount slider until the warmth sits right. The Presetpro library includes nine Gold 200 inspired preset versions with matching profiles, color checked against real film, plus an FE edition with a […]
To get the Kodak Portra 160 film look in Lightroom, apply a Portra 160 inspired preset for the character, then dial the matching profile’s Amount slider until the softness sits right. The Presetpro library includes nine Portra 160 inspired preset versions with matching profiles, color checked against real film, plus an FE edition with a […]
To get the Kodak Portra 400 film look in Lightroom, apply a Portra 400 inspired preset for the character, then dial the matching profile’s Amount slider until the warmth sits right. The Presetpro library includes nine Portra 400 inspired preset versions with matching profiles, color checked against real film, plus an FE edition with a […]